Bronzesnake
Member
- May 7, 2010
- 241
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Evo, I chose to ignore the goofy rambling portion of your post...
Julsrud was archaeologically astute he would have spotted brand new pieces immediately.
Also, you would have to explain how these “crooked†Mexican farmers knew exactly what dinosaurs looked like and how for example, they were able to create characteristics such as a rosetta pattern of the skin of a T-Rex years before anyone knew it to be fact!
Then there was the accurate representation of an “American dinosaur Brachiosaurus almost totally unknown at that time to the general publicâ€
“These fantastic dinosaur figurines threaten the orthodox concepts and time scales in many fields of studies. Dr. Ivan T. Sanderson was amazed in 1955 to find that there was an accurate representation of its American dinosaur Brachiosaurus almost totally unknown at that time to the general public. Sanderson wrote about this particular Dinosaur in the Julsrud collection. "This figurine is a very fine, jet-black, polished-looking ware. It is about a foot tall. The point is it is an absolutely perfect representation of Brachiosaurus, known only from East Africa and North America. There are a number of outlines of the skeletons in the standard literature but only one fleshed out reconstruction that I have ever seen. This is exactly like it."
So tell me please, how these poor Mexican farmers had so much detailed knowledge of all these different dinosaurs when many world experts didn’t know much of this information at that time?
This is extremely powerful corroboration for the authenticity of these pieces. Unless you have a reasonable explanation?
Read on it gets thicker...
There was an absolutely astonishing breathless moment as one object was unwrapped and there before us a virtually perfect representation of an Iguanodon. This was one of the first dinosaur skeletons discovered. The early concept of it's appearance was almost comical in the mid 1800's. By the turn of the century it had improved considerably but fell far short of what we now know. The figurine exhibits knowledge we have gained only in the last few years. No hoaxer could have made this model in the 1940's.
How could these people have known of such animals as these?...
Was there a precursor civilization at Acambaro during the Ice Age as geologists reckon time? In the collection are unmistakable representations of the one humped American camel of the Ice Age, Ice Age horses, as well as of animals resembling rhinoceroses of extinct species. There are many figurines of giant monkeys such as actually existed in South America in the Pleistocene.
During excavations among the figurines were found some teeth. These teeth were taken to Dr. George Gaylord Simpson in 1955, at that time America's leading paleontologist who worked at the American Museum of Natural History. He identified them as the teeth of Equus Conversidans Owen, an extinct horse of the Ice Age. In the Julsrud collection are two figurines of Equus Conversidans Owen. The image of the Ice Age horse is also engraved on ceramic pots in the collection.
Did these clever Mexican farmers also carve the teeth???
Here’s the reason for the disinformation campaign my friends...
The establishment scientists continued to act as if nothing of significance had happened in Acambaro that would threaten the evolutionary paradigm. Despite their efforts to downplay or explain away Julsrud's discoveries as that of an eccentric kook, the information was slowly leaking out to a wide audience that would take the Julsrud collection seriously and consider it a legitimate find.
William W. Russell, a Los Angeles newspaperman was soon on the scene. Russell himself photographed the excavations. Freshly dug pits produced objects, with roots entwining them.3 The objects must have been in the ground for many years for tree roots to grow around them at a depth of five or six feet beneath the earth. Russell reported that he judged from the evidence the objects to be very old.
Wow! How clever these poor farmers were to know that one day people would dig in these exact spots and discover these fake figures all intertwined in the roots and all...man they were smart!
Gee, you forgot to read the reast of the story...
He wanted to buy for his museum a certain amount of pieces of Tarascan origin."
Dipeso made ridiculous accusations against the locals, stating farmers had watched movies, read comics and researched books in the local library in order to come up with source material to make these figurines. Are you kidding me!!????
Francisco Aguitar Sanchaz, Superintendent of the National Irrigation Plant of Solis said, "That on the basis of four years intimate knowledge of the inhabitants of the entire area and of archaeological activity there, he could positively deny that there was any such ceramic production in the vicinity." The Municipal President of Acambaro, Juan Terrazaz Carranza, issued on July 23, 1952, an official statement No.1109 refuting Dipeso's allegation.
'This Presidency under my direction ordered that an investigation be carried out in this matter, and has arrived at the conclusion that in this municipal area there does not exist any persons who makes these kinds of objects."
There are many other problems associated with Dipeso's spurious allegations. He fails to mention that the ceramic artifacts of varying clay composition and styles had been individually and not mold-made. There were not only ceramic pieces but also stone pieces.
The ceramic collection has unsurpassed variety and beauty that has won the admiration of professional artists. No peasant family could possibly make thousands and thousands of non-duplicated sculptures with such skill and artistic finesse.
The famous Earle Stanley Gardner, whose detective mysteries became the basis for the famous Perry Mason television programs, was a forensic pathologist and attorney who served as district attorney for the city of Los Angeles for over 20. Mr. Gardner examined the collection and voiced the expert opinion of an experienced prosecuting attorney when he said that if a group of fakers had made all the pieces, their style would be recognizable on the whole collection.
"Every criminal, every criminal gang has its own method of operations. Police can often identify a criminal or gang from the method of a crime. It is obvious that no one individual or group could have made the pieces."
Charles Dipeso insisted in his insinuations that the collection was an elaborate hoax; the diggers making pits, burying the objects, and later digging them up. Dipeso finished his 1953 report with resounding confidence, "Our investigation proved conclusively that the figurines are not prehistoric and were not made by a superior prehistoric race that associated with dinosaurs."5
TO CONTINUE IN NEXT POST...
Oh ya those crooked Mexican farmers! Too much!The very circumstances from which the figures first appeared are cited as dubious.[2] Julsrud claims that he paid the farmers for every figure they brought him, which would have given the farmers motive to create their own figures and disguise them as ancient artifacts.
Julsrud was archaeologically astute he would have spotted brand new pieces immediately.
Also, you would have to explain how these “crooked†Mexican farmers knew exactly what dinosaurs looked like and how for example, they were able to create characteristics such as a rosetta pattern of the skin of a T-Rex years before anyone knew it to be fact!
Then there was the accurate representation of an “American dinosaur Brachiosaurus almost totally unknown at that time to the general publicâ€
“These fantastic dinosaur figurines threaten the orthodox concepts and time scales in many fields of studies. Dr. Ivan T. Sanderson was amazed in 1955 to find that there was an accurate representation of its American dinosaur Brachiosaurus almost totally unknown at that time to the general public. Sanderson wrote about this particular Dinosaur in the Julsrud collection. "This figurine is a very fine, jet-black, polished-looking ware. It is about a foot tall. The point is it is an absolutely perfect representation of Brachiosaurus, known only from East Africa and North America. There are a number of outlines of the skeletons in the standard literature but only one fleshed out reconstruction that I have ever seen. This is exactly like it."
So tell me please, how these poor Mexican farmers had so much detailed knowledge of all these different dinosaurs when many world experts didn’t know much of this information at that time?
This is extremely powerful corroboration for the authenticity of these pieces. Unless you have a reasonable explanation?
Read on it gets thicker...
There was an absolutely astonishing breathless moment as one object was unwrapped and there before us a virtually perfect representation of an Iguanodon. This was one of the first dinosaur skeletons discovered. The early concept of it's appearance was almost comical in the mid 1800's. By the turn of the century it had improved considerably but fell far short of what we now know. The figurine exhibits knowledge we have gained only in the last few years. No hoaxer could have made this model in the 1940's.
How could these people have known of such animals as these?...
Was there a precursor civilization at Acambaro during the Ice Age as geologists reckon time? In the collection are unmistakable representations of the one humped American camel of the Ice Age, Ice Age horses, as well as of animals resembling rhinoceroses of extinct species. There are many figurines of giant monkeys such as actually existed in South America in the Pleistocene.
During excavations among the figurines were found some teeth. These teeth were taken to Dr. George Gaylord Simpson in 1955, at that time America's leading paleontologist who worked at the American Museum of Natural History. He identified them as the teeth of Equus Conversidans Owen, an extinct horse of the Ice Age. In the Julsrud collection are two figurines of Equus Conversidans Owen. The image of the Ice Age horse is also engraved on ceramic pots in the collection.
Did these clever Mexican farmers also carve the teeth???
Here’s the reason for the disinformation campaign my friends...
The establishment scientists continued to act as if nothing of significance had happened in Acambaro that would threaten the evolutionary paradigm. Despite their efforts to downplay or explain away Julsrud's discoveries as that of an eccentric kook, the information was slowly leaking out to a wide audience that would take the Julsrud collection seriously and consider it a legitimate find.
William W. Russell, a Los Angeles newspaperman was soon on the scene. Russell himself photographed the excavations. Freshly dug pits produced objects, with roots entwining them.3 The objects must have been in the ground for many years for tree roots to grow around them at a depth of five or six feet beneath the earth. Russell reported that he judged from the evidence the objects to be very old.
Wow! How clever these poor farmers were to know that one day people would dig in these exact spots and discover these fake figures all intertwined in the roots and all...man they were smart!
.According to Di Peso, the surface of the figures was practically brand new and they showed no characteristic evidence of having been in the ground for at least 1500 years. If they were authentic artifacts, they should be scratched and marred from the rocky soil, which is characteristic of artifacts found in that area of Mexico
Gee, you forgot to read the reast of the story...
He wanted to buy for his museum a certain amount of pieces of Tarascan origin."
Dipeso made ridiculous accusations against the locals, stating farmers had watched movies, read comics and researched books in the local library in order to come up with source material to make these figurines. Are you kidding me!!????
Francisco Aguitar Sanchaz, Superintendent of the National Irrigation Plant of Solis said, "That on the basis of four years intimate knowledge of the inhabitants of the entire area and of archaeological activity there, he could positively deny that there was any such ceramic production in the vicinity." The Municipal President of Acambaro, Juan Terrazaz Carranza, issued on July 23, 1952, an official statement No.1109 refuting Dipeso's allegation.
'This Presidency under my direction ordered that an investigation be carried out in this matter, and has arrived at the conclusion that in this municipal area there does not exist any persons who makes these kinds of objects."
There are many other problems associated with Dipeso's spurious allegations. He fails to mention that the ceramic artifacts of varying clay composition and styles had been individually and not mold-made. There were not only ceramic pieces but also stone pieces.
The ceramic collection has unsurpassed variety and beauty that has won the admiration of professional artists. No peasant family could possibly make thousands and thousands of non-duplicated sculptures with such skill and artistic finesse.
The famous Earle Stanley Gardner, whose detective mysteries became the basis for the famous Perry Mason television programs, was a forensic pathologist and attorney who served as district attorney for the city of Los Angeles for over 20. Mr. Gardner examined the collection and voiced the expert opinion of an experienced prosecuting attorney when he said that if a group of fakers had made all the pieces, their style would be recognizable on the whole collection.
"Every criminal, every criminal gang has its own method of operations. Police can often identify a criminal or gang from the method of a crime. It is obvious that no one individual or group could have made the pieces."
Charles Dipeso insisted in his insinuations that the collection was an elaborate hoax; the diggers making pits, burying the objects, and later digging them up. Dipeso finished his 1953 report with resounding confidence, "Our investigation proved conclusively that the figurines are not prehistoric and were not made by a superior prehistoric race that associated with dinosaurs."5
TO CONTINUE IN NEXT POST...